oil painting from picture

firs, apparently, from what I could distinguish of the character of
their forms and foliage through the gloom. My star vanished as I
drew near: some obstacle had intervened between me and it. I put out
my hand to feel the dark mass before me: I discriminated the rough
stones of a low wall- above it, something like palisades, and
within, a high and prickly hedge. I groped on. Again a whitish
object gleamed before me: it was a gate- a wicket; it moved on its
hinges as I touched it. On each side stood a sable bush- holly or yew.
Entering the gate and passing the shrubs, the silhouette of a house
rose to view, black, low, and rather long; but the guiding light shone
nowhere. All was obscurity. Were the inmates retired to rest? I feared
it must be so. In seeking the door, I turned an angle: there shot
out the friendly gleam again, from the lozenged panes of a very
small latticed window, within a foot of the ground, made still smaller
by the growth of ivy or some other creeping plant, whose leaves
clustered thick over the portion of the house wall in which it was
set. The aperture was so screened and narrow, that curtain or
shutter had been deemed unnecessary; and when I stooped down and put
aside the spray of foliage shooting over it, I could see all within. I