Thursday, May 8, 2008

famous salvador dali painting

Captain Mannix, the commanding officer of headquarters company, was Culver's friend and, for five months, his closest one. He was a dark heavy-set Jew from Brooklyn, Culver's age and a reserve, too, who had had to sell his radio store and leave his wife and two children at Home. He had a disgruntled sense of humor which often seemed to bring a spark of relief not just to his own, but to Culver's, feeling of futility and isolation. Mannix was a bitter man and, in his bitterness, sometimes recklessly vocal. He had long ago given up genteel accents, and spoke like a marine. It was easier, he maintained. "Jesus," he whispered again, too loud, "what'll Congress do about this? Look at Billy chop-chop."
Culver said nothing. His tension eased off a bit, and he looked around him. The news had not seemed yet to have spread around the command post; the men began to get up and walk to the chow-line to clean their mess-gear, strolled back beneath the trees and flopped down, heads against their packs, for a moment's nap. The Colonel spoke in an easy, confidential voice with the other battalion commander: the casualties were confined, Culver gathered, to that outfit. It was a battalion made up mostly of young reserves and it was one in which, he suddenly thanked God, he knew no one. Then he heard the Colonel go on calmly—to promise more aid, to promise to come down himself, shortly. "Does it look rough, Luke?" Culver heard him say, "Hold on tight, Luke boy"—all in the cool and leisurely, almost bored, tones of a man to whom the

No comments: